Saturday, May 5, 2012

A Little Bigger

cowboy a little bigger
cowboy and birdie being still for a minute
Cowboy is growing every day, but he's still a tiny little creature.
He is the sweetest little guy and is a super fast learner.
 Birdie tolerates quite a bit of his puppy antics including those very sharp milk teeth of his.
She loves him like a true older sister would: playing, taunting, chasing, scrumming over toys, 
more chasing, more scrumming, sleeping, and starting all over again.
More pictures on flickr.

Thursday, May 3, 2012

Fabric8

Hello my friends! Happy Thursday!
Above is a pattern I designed called Frolic which I have entered in the Fabric8 contest
sponsored by Spoonflower and Robert Kaufman Fabrics. Frolic was inspired by spring,
flora and fauna, and the delightful miniature paintings of the Mughal Court.
Spoonflower received over 750 pattern submissions and a jury selected 100 pattern designs.
I am so happy to have made it to the semi-final round.
Anyone can vote for their favorite designs from May 3 to May 9th.
The top 8 designs will go to the final round and develop a collection.
Click here to vote.
Spread the word. Fingers crossed!

Tuesday, May 1, 2012

Watercolor 101 | Paper


Paper is your foundation for painting and as with your paints and brushes,
great materials are a must. Most watercolor papers are mouldmade papers
manufactured from pure cotton rag,which is a naturally binding,
archival and absorbent material that makes a great sheet of paper.
Watercolor paper is finished with gelatin sizing which further binds the cotton fibers
together and helps to stiffen the paper so that when you paint with water,
the sizing moderates the absorption and the paper doesn't
fall apart while you are working. Arches is my favorite brand of watercolor paper.
 I love it. It's like butter! That said, there are so many great makers of paper
as well as some very fine boutique handmade papers too.
Try different papers and find what works for you.
***
There are three basic surface finishes:
Hot press paper has a very fine, smooth finish and cold press paper has
a textured surface, sometimes referred to as the grain or tooth.
Rough is a very grainy paper with a lot of tooth. The choice is yours.
What does the weight mean? For the purpose of painting, you need only know
that the higher the weight, the thicker and more substantial the paper will be.
Paper is measured in pounds per ream or grams per meter.
A typical ream of paper is about 500 sheets of paper and sometimes more,
so the weight actually refers to the how much the entire ream weighs.
Watercolor paper comes in several weights, the most common being: 90, 140, 300 Lb.
A 300 Lb. paper is considered a heavy weight paper and
it is very resilient to water saturation, holding its shape well.
It is ideal for larger work, however it is also very costly per sheet.
***
I prefer to use large individual sheets of paper which I order in bulk.
I also use watercolor paper blocks from time to time,
the blocks come in a variety of weights, finishes and sizes.
A block is a stack of pre-cut paper sheets, gummed or bound on the edge with tape,
which holds the sheets together and prevents the paper from cockling as you work.
After you are finished working and your painting is dry,
peel the paper from the block,and voila!
A fresh new sheet of paper is underneath.
***
Cockled paper occurs from saturating paper with water and paint.
Sometimes the paper dries unevenly causing everything from slight warping
to a very puckered and buckled paper surface. It is not a flaw.
It is simply a part of working with the medium and I think it has a certain charm.
However, too much cockling can be distracting from the painting itself and
 you can avoid much of it by using a high quality, heavy weight, properly sized
watercolor paper or stretching your paper before painting.
Personally, I prefer to use a heavy weight paper and
avoid the extra work and preparation.
Let me know if you have any question!

Here are a few places to shop for watercolor paper:
Next time 101 is all about washes.

Saturday, April 28, 2012

My Cottage Garden | Redbud Tree

redbud leaves II
redbud pods
Sometimes I think the leaves are prettier than the flowers. 
We are off to DeBaggio's, a little family owned greenhouse, to pick up some herbs for the season.
I have long list of projects for the yard and the weekend is the perfect time to dig in. Pun intended.
Happy Saturday all! What do you have planned?
p.s.
A big thank you to Amanda Soule aka Soule Mama
for featuring my Bluebirds and Honeybees fabric this week.
What a treat. I can't wait to see what she makes!

Wednesday, April 25, 2012

Where Did She Go?

florentine fabric collection
I'm here! I know I've been MIA for the past two weeks. Here's what happened: 
Our darling puppy Cowboy arrived home {fabulous and fun} 
and I caught a terrible cold and lost my voice {not so fabulous or fun}
Other than sounding like a troll, I'm feeling much better!

florentine fabric collection II
I just finished some new fabric designs which are the start of my Florentine Fabric Collection.
From the left to right: Celeste, Pitti Keys, Quatrefoil

florentine fabric collection III
and Stelle, Escutcheons, Boboli Keys. All of these designs are available on Spoonflower.
I also entered a design in the Fabric8 contest sponsored by Spoonflower & Robert Kaufman.
I couldn't resist. The theme was pen and ink and watercolor!
Keep your fingers crossed for me. You can preview my entry here.

Saturday, April 14, 2012

Bliss

bliss
Birdie and Cowboy resting together.
Cowboy came home just a few days ago and they are becoming fast friends.
I've been completely distracted watching these two frolic.
We're off to take our walk in the field. 
Have a great weekend all!

Tuesday, April 3, 2012

Watercolor 101 | Brushes

brushes
Brushes are your tools for painting.
 Using the best quality brushes will yield better results. 
So, how do you choose? Your selection will be made by these four factors:
medium, material used to make the brush, shape and size.

brushes II
First, you need watercolor brushes. 
Oil, acrylic and craft brushes are made for a 
different purpose and are not suitable for watercolor. 
I prefer to use kolinsky red sable brushes made from 
the soft tail hairs of the siberian weasel. 
They are expensive brushes but well worth it because 
the natural coat and taper of the hairs holds the paint 
really well and they maintain their shape 
and point much longer with proper care.
If you prefer not to use animal hair 
or would like more economical brushes,there are 
wonderful synthetic watercolor brushes 
that you can use as well.

brushes III
Brushes come in all different shapes and sizes. 
You will want to be able to make a variety of marks 
from very large washes to fine little details. 
Brushes are numbered to correspond with size 
from small to large. Every brand is slightly different.
Honestly, you really only need five brushes to get started.
It's nice to have more, but they are not necessary 
and you can always add to your collection. 
I would recommend starting with one large round or 
oval brush for big washes, one large or medium flat brush 
for washes and painting a straight edge,
one medium pointed round and one small pointed round 
for finer brush strokes,and a rigger or liner brush, 
which makes a beautiful fine line.
The rigger is my favorite brush. 
I have them in several sizes. 

brushes IV
Every brush has this basic anatomy: 
a handle, a ferrule, and a brush head.
When looking for a brush, these three parts should fit 
tightly and seamlessly together. A new sable brush head 
will be stiffened with gum arabic to hold its shape
and it will need to be rinsed in cool water before using it 
for the first time.The hairs should not appear 
misshapen, frayed, split or crooked.

brushes V
With proper care your brushes will last a long time.
I have ruined quite a few brushes over the years 
and my dog has chewed a few handles much to my dismay 
(see the picture above).
Here are a few tips for keeping your brushes in good condition:
Don't use your brushes for anything but watercolor paint.
When you are working, gently mix your paint by swirling 
and rolling the brush through it, don't smash the tip 
into the paint or it will quickly fray and lose its shape. 
Don't leave your brushes soaking in water as this will 
loosen the handle and ferrule, not to mention 
that the brush head will become misshapen.
I rest my brushes on a little rolled up rag next 
to my palette while I am working.

brushes VI
Rinse your brushes in cool water when you are finished 
painting for the day. Remove paint residue from the brush 
and ferrule and tease out any loose hairs. Pat dry and 
reshape the tips of your brushes with your fingers.
Store your brushes in a container or rest them on a 
ledge or in a brush holder so that the brush heads 
are not resting against or touching any surface.
You can also use a brush soap or a very mild soap 
to thoroughly clean your brushes, but you don't want 
to strip the oils from the natural brushes 
by doing this too often.Synthetic brushes are less 
fragile and a little easier to clean.

Places to shop for watercolor brushes:
Do you have any questions about watercolor brushes?
Experiment and see what works for you! 
Next time 101 is all about paper.