Mushroom Specimens

A little mushroom collection from my morning walk.

More pictures on Flickr.

Sweetgrass

Cowboy has a lot of natural herding instincts and it's fun to watch him

crouch and stalk and work objects at such a young age. He also has fabulous eye contact,

another border collie trait, which is great for taking pictures!

I don't know much about herding and we don't have sheep, but you never know, maybe someday.

Knowing that we love our dogs and have taken a slight interest in herding, 

my mother in law recommended the documentary, Sweetgrass. Have you seen it? 

It is a beautiful movie, an unvarnished look at the last time this group of modern day cowboys, 

shepherds really, grazed their sheep for the summer in the vast fertile pastures of the Montana mountains.

Of course they couldn't shepherd 3,000 sheep without their horses and dogs,

border collies for herding and great pyrenees for guarding. It's amazing.

I watched it a second time with the narration of the filmmakers which was equally fascinating.

Watch the trailer if you have a chance.

Studio | Outside My Window

A few months back I moved my studio from the "big" church into the little building, 

better known as the congregation hall, where I share a space with the owners: 

interior designer, Wanda Crossley and artist and illustrator, Kevin Chadwick,
of Matthews House and Garden. The church is now an antique shop.

Wanda has created such pretty little gardens around the buildings and
Kevin is truly Edward Scissor Hands with the clippers and pruning shears. 

He has shaped all of the boxwood into beautiful topiary and pleached the trees in the gardens.

A pretty side view of the little garden looking toward the church.

Four meyeri lilacs surround the beautiful boxwood bird centerpiece, 

which is under planted with succulents and dwarf variegated boxwoods.

The meyeri lilac standards just finished blooming. They have the tiniest florets and are so fragrant.

Triple ball boxwood topiaries line the side entrance.

It's a lovely place to work and I will certainly let you know if
I ever host a little open studio or offer a workshop.

My Cottage Garden | Spring Pickings

Peonies and roses freshly picked. 

I love all of the creamy whites and pretty pinks together.

What's in your garden this spring?

Watercolor 101 | Wash and Wait

So, you've assembled your materials.
Paint? check. Brushes? check. Paper? check. Water? check.
It's time to dive in with a little painterly exercise to get comfortable with watercolor.
Today is all about washes, which are essentially transparent glazes or
layers that you can build upon to create your paintings.

Honestly, I don't consciously think about what I'm doing when I'm painting.

I'm not pondering what type of washes to make, for me, painting is an intuitive process.

However, I wanted you to see what different washes look like and how to achieve them.

I would recommend using a large brush to paint washes. A round, oval or mop brush will do.
Get a stack of paper, lots of water and mix up a big soupy pool of paint on your palette.
Choose a color that you love. Remember to use enough paint so that you have a nice rich color.
Don't be afraid of the water, this is watercolor after all!

Flat Wash

Charge you brush by rolling and swirling it through your paint until it's loaded up sufficiently.
Prop you paper on an ever so slight angle and create horizontal strokes across the paper,
the paint will naturally flow downward and pool or bead along the bottom edge.
Repeat each stroke across pulling that bead into your next brush stroke.
Recharge your brush with more paint when necessary and keep repeating until you have
created a large rectangle. Try not to go over the same area twice.
Wick away that last bead of paint by blotting your brush dry and drawing off
the excess paint so that it doesn't backwash. Set your paper down and let it dry.
You should have a fairly even, flat wash covering your paper.

Graded Wash

Mix a slightly deeper, darker color on your palette.
Charge you brush by rolling and swirling it through your paint until it's loaded up sufficiently.
Prop you paper on an ever so slight angle and create a horizontal stroke across the paper,

the paint will naturally flow downward and pool or bead along the bottom edge.

Don't add more paint. Instead, dip your brush into clean water each time you stroke across the paper.

Adding water naturally dilutes the intensity of the color and creates a graded wash. 

The watercolor will flow downward from dark to light.

Again, wick away that last bead of paint by blotting your brush dry and drawing off

the excess paint so that it doesn't backwash. Set your paper down and let it dry.

Wet into Wet Wash

Follow the steps from the flat wash above.
While the paper is still wet, disperse the same color or introduce new colors
randomly into the wet paint and let it the paint flow in all directions.
Soft, billowing washes are created this way.
Set your paper down and let it dry.

Dispersed Wash

The dispersed wash is very similar to the wet into wet wash,
only you start with clean, clear water washed over your paper.
When the paper is very wet with clear water, flow random strokes of paint into it.
Let the paint swirl, blend, and disperse in all directions.
Tip and move the paper around to further blend the paint.
When you like what you see, set it down to dry.

***
 Wait for your washes to dry. I can't stress this enough.

If you don't wait with watercolor, you will often be faced with a murky, muddy mess.
Knowing when to stop gets easier as you get more comfortable with the medium.
Less is always more with watercolor. So my advice is to wash and wait.

These basic washes can be combined and layered, so have fun experimenting!
 If you have anything to add or have questions about washes, do post comments below.
Next time 101 is all about mark making and brush strokes.

Shortly After Midnight

Two nights ago the phone rang at midnight. It was my neighbor from up the road. 

I asked, more like begged, to be on her call list. 

She had rescued a pregnant pony which she named Felicity, and she was due any day. 

When I arrived the foal, a little filly, was just born and making her first attempt to stand up. 

It was amazing. We watched and marveled at the pair for quite a while. 

The vet soon arrived, all was well and everyone was filled with happiness. 

It was hard to take pictures. The light was dim and they were moving around quite a bit, 

but the grainy pictures have their own charm, don't you think?

A Little Bigger

Cowboy is growing every day, but he's still a tiny little creature.

He is the sweetest little guy and is a super fast learner.

 Birdie tolerates quite a bit of his puppy antics including those very sharp milk teeth of his.

She loves him like a true older sister would: playing, taunting, chasing, scrumming over toys, 

more chasing, more scrumming, sleeping, and starting all over again.

More pictures on flickr.